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From
Wikipedia, the free encyclopedia, (Redirected from Movie)
"Film"
refers to the celluloid media on which movies are printed. Shown
above is a reel of 8 mm film.This article is about motion pictures.
For other uses, see Film (disambiguation).
"Motion
Picture" and "Movie" redirects here.
Film is a term
that encompasses motion pictures as individual projects, as well as
— in metonymy — the field in general. The origin of the
name comes from the fact that photographic film (also called
filmstock) has historically been the primary medium for recording and
displaying motion pictures. Many other terms exist — motion
pictures (or just pictures or "picture"), the silver
screen, photoplays, the cinema, picture shows, flicks — and
commonly movies.
Films are
produced by recording actual people and objects with cameras, or by
creating them using animation techniques and/or special effects. They
comprise a series of individual frames, but when these images are
shown rapidly in succession, the illusion of motion is given to the
viewer. Flickering between frames is not seen due to an effect known
as persistence of vision — whereby the eye retains a visual
image for a fraction of a second after the source has been removed.
Also of relevance is what causes the perception of motion; a
psychological effect identified as beta movement.
Film is
considered by many to be an important art form; films entertain,
educate, enlighten and inspire audiences. The visual elements of
cinema need no translation, giving the motion picture a universal
power of communication. Any film can become a worldwide attraction,
especially with the addition of dubbing or subtitles that translate
the dialogue. Films are also artifacts created by specific cultures,
which reflect those cultures, and, in turn, affect them. |
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History of film
Mechanisms for
producing artificially created, two-dimensional images in motion were
demonstrated as early as the 1860s, with devices such as the zoetrope
and the praxinoscope. These machines were outgrowths of simple
optical devices (such as magic lanterns), and would display sequences
of still pictures at sufficient speed for the images on the pictures
to appear to be moving, a phenomenon called persistence of vision.
Naturally, the images needed to be carefully designed to achieve the
desired effect — and the underlying principle became the basis
for the development of film animation.
With the
development of celluloid film for still photography, it became
possible to directly capture objects in motion in real time. Early
versions of the technology sometimes required the viewer to look into
a special device to see the pictures. By the 1880s, the development
of the motion picture camera allowed the individual component images
to be captured and stored on a single reel, and led quickly to the
development of a motion picture projector to shine light through the
processed and printed film and magnify these "moving picture
shows" onto a screen for an entire audience. These reels, so
exhibited, came to be known as "motion pictures." Early
motion pictures were static shots that showed an event or action with
no editing or other cinematic techniques.
A shot from
Georges Méliès' Le Voyage dans la Lune (A Trip to the
Moon) (1902), an early narrative film.Motion pictures were purely
visual art up to the late 1920s, but these innovative silent films
had gained a hold on the public imagination. Around the turn of the
20th Century, films began developing a narrative structure. Films
began stringing scenes together to tell narratives. The scenes were
later broken up into multiple shots of varying sizes and angles.
Other techniques such as camera movement were realized as effective
ways to portray a story on film. Rather than leave the audience in
silence, theater owners would hire a pianist or organist or a full
orchestra to play music fitting the mood of the film at any given
moment. By the early 1920s, most films came with a prepared list of
sheet music for this purposes, with complete film scores being
composed for major productions.
The rise of
European cinema was interrupted by the breakout of World War I while
the film industry in United States flourished with the rise of
Hollywood. However in the 1920s, European filmmakers such as Sergei
Eisenstein and F. W. Murnau continued to advance the medium. In the
1920s, new technology allowed filmmakers to attach to each film a
soundtrack of speech, music and sound effects synchronized with the
action on the screen. These sound films were initially distinguished
by calling them "talking pictures", or talkies.
The next major
step in the development of cinema was the introduction of color.
While the addition of sound quickly eclipsed silent film and theater
musicians, color was adopted more gradually. The public was
relatively indifferent to color photography as opposed to
black-and-white. But as color processes improved and became as
affordable as black-and-white film, more and more movies were filmed
in color after the end of World War II, as the industry in America
came to view color an essential to attracting audiences in its
competition with television, which remained a black-and-white medium
until the mid-1960s. By the end of the 1960s, color had become the
norm for film makers.
The 1950s,
1960s and 1970s saw changes in the production and style of film. New
Hollywood, French New Wave and the rise of film school educated,
independent filmmakers were all part of the changes the medium
experienced in the latter half of the 20th Century. Digital
technology has been the driving force in change throughout the 1990s
and into the 21st Century. |
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In the days of
early silents the names of the actors and actresses appearing in
movies were not publicized or credited as they are now. Some of these
performers had to help build the sets, do clean up and other chores
around the film studio. But as the movie-going public became more
interested in the performers who attracted their attention, the
curiosity to know more about them made the movie studios and
producers rethink their policy.
As the demand
increased, they began publicizing the names of their leading women
and men, and bill them in the credits of their movies, such as
Florence Lawrence, referred to as "the first movie star,"
who was previously known only as the "Biograph Girl"
because she worked for Biograph Studios, and Mary Pickford, who was
previously known as "Little Mary."
Movie studios
employed performers under long-term contracts. They developed a star
system as a means of promoting and selling their movies. "Star
vehicles" were filmed to display the particular talents and
appeal of the most popular movie stars of the studio. |
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Actresses |
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A
celebrity is a person who is widely recognized (famous) in a society
and commands a high degree of public and media attention. The word
stems from the Latin celebritas, itself from the adjective celeber
meaning 'famous, celebrated'. While fame is generally considered to
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deliberately avoids media attention. Examples of these are performers
such as actors and musicians and athletes. |
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A
celebrity is a person who is widely recognized (famous) in a society
and commands a high degree of public and media attention. The word
stems from the Latin celebritas, itself from the adjective celeber
meaning 'famous, celebrated'. While fame is generally considered to
be the major prerequisite for celebrity status, it is not always
sufficient. There has to be a level of public interest in the person
which may or may not be connected to the reason they are famous. For
example, a public figure such as a politician, industry leader etc.
may be famous but not a celebrity unless something else triggers
public and mass media interest (e.g. Virgin Director Richard Branson
attempting to circumnavigate the globe in a hot air balloon). Other
types of fame, particularly those connected with mass entertainment
are almost guaranteed to lead to celebrity even if the person
deliberately avoids media attention. Examples of these are performers
such as actors and musicians and athletes. |
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